sâmbătă, 31 decembrie 2011
duminică, 18 decembrie 2011
luni, 12 decembrie 2011
Antologia Wonder Haiku Worlds
A apărut „Spasm of Light”, prima antologie a poemelor publicate pe saitul Wonder Haiku Worlds între anii 2005 şi 2007. Selecţia poemelor a fost făcută de Narayanan Ranghunathan şi Shyam Santhanam, iniţiatorii saitului.
În cele 248 pagini sunt cuprinşi aproximativ 50 de autori care au contribuit la Wonder Haiku Worlds între anii 2005 şi 2007. Cartea are 6 părţi: Haiku, Haibun, Tanka, Senryu, General Short Verse şi Cinquain.
Cartea se găseşte pe internet, preţul ei este de 18 dolari SUA sau 300 de rupii, pentru locuitorii Indiei.
Autorii români de haiku prezenţi în antologie sunt: Corneliu Traian Atanasiu, Magdalena Dale, Vasile Moldovan, Dana-Maria Onică, Maria Tirenescu şi Eduard Ţară.
Cu haibun sunt prezenţi: Corneliu Traian Atanasiu, Magdalena Dale şi Maria Tirenescu.
Cu tanka, sunt publicaţi: Jules Cohn Botea, Şerban Cordin, Magdalena Dale, Vasile Moldovan, Maria Tirenescu şi Eduard Ţară.
Cu senryu sunt prezenţi: Corneliu Traian Atanasiu, Jules Cohn Botea, Vasile Moldovan, Dana-Maria Onică şi Maria Tirenescu.
http://wonderhaikuworlds.com/spasms_of_light1
marți, 6 decembrie 2011
Din revista Haiku Reality dec. 2011
http://haikureality.webs.com/haikuodab7.htm
BEST OF ISSUE (Second Choice)
Najbolji haiku broja (drugoplasirani)
Maria Tirenescu, Romania (Rumunija)
O rândunică
spărgând oglinda apei –
musculiţe
A swallow
breaking the river mirror –
the flies
lasta
razbija ogledalo reke—
muve
tr. Saša Važić
Tirenescu's haiku is an excellent example of activity- (koto, process) biased haiku that reminds me of Issa, the poet who was the poorest of the poor, and spending most of his time living in the forests and fields of Japan. Living in nature, Issa had an intimate relationship with a nature few understand today in German-based university colonized Japan, the Anglo-West, and Anglo-Oceania.
A swallow 3 syllables
breaking the river mirror – 7 syllables
the flies 2 syllables
A swallow: a living object
breaking: an action verb
the river mirror: an allegory referring to a thinly iced over river/a large living body of liquid air
the flies: several insects (living objects)
Although composed of several objects, haiku is not object- (mono, thing) biased. Tirenescu's poem is based upon the verb: "breaking."
Imagine the poet watching a swallow flying above a thinly iced over river, which looked like a mirror. On the watery mirror are several flies. It's a cold winter, the swallow's hungry, and dives down to catch a bite to eat. Mirrors are mirrors, they are projectors of reflections, and not always accurate in the areas of space and physics.
Instead of gulping a fly, he hits the iced over water. If you or I dove at the speed a swallow dives from the height it was hovering in, we'd either crack the ice and die of hypothermia, kill ourselves, or at least be dazed. I assume the bird, due to its small weight, felt much pain, was greatly dazed, and stumbled off the icy mirror (river) like a drunk.
The last line of Tirenescu's haiku provides the juxtaposition, "the flies." Nature is unpredictable and can be misunderstood, by animals and as well as humankind, most of whom kid themselves into believing they are not animals but guardians of nature. Tell that to the victims of the nuclear holocaust set off in Japan on March 11, 2011.
Maria Tirenescu's haiku is about an activity, a process that can be learned from. zoka, the creative, unpredictable, non-static, ever-changing, creative power of nature that Matsuo Basho told his disciples was essential for a haiku to succeed, should be observed, meditated upon, and allowed to teach. I appreciate her using a break (pause) --- after "mirror" at the end of line two, the dashes substituting for the Japanese cutting word . . . a style that generates ma (dreaming room).--Robert D. Wilson
***
SELECTED
Izabrani
Maria Tirenescu, Romania (Rumunija)
Rouă
pe acoperişul şopronului –
cântă un piţigoi
dewdrops
on the shelter roof
titmouse song
rosa
na krovu skloništa
peva senica
tr. Saša Važić
Traducerea comentariului o puteţi citi pe www.prezenteromanesti.blogspot.com
BEST OF ISSUE (Second Choice)
Najbolji haiku broja (drugoplasirani)
Maria Tirenescu, Romania (Rumunija)
O rândunică
spărgând oglinda apei –
musculiţe
A swallow
breaking the river mirror –
the flies
lasta
razbija ogledalo reke—
muve
tr. Saša Važić
Tirenescu's haiku is an excellent example of activity- (koto, process) biased haiku that reminds me of Issa, the poet who was the poorest of the poor, and spending most of his time living in the forests and fields of Japan. Living in nature, Issa had an intimate relationship with a nature few understand today in German-based university colonized Japan, the Anglo-West, and Anglo-Oceania.
A swallow 3 syllables
breaking the river mirror – 7 syllables
the flies 2 syllables
A swallow: a living object
breaking: an action verb
the river mirror: an allegory referring to a thinly iced over river/a large living body of liquid air
the flies: several insects (living objects)
Although composed of several objects, haiku is not object- (mono, thing) biased. Tirenescu's poem is based upon the verb: "breaking."
Imagine the poet watching a swallow flying above a thinly iced over river, which looked like a mirror. On the watery mirror are several flies. It's a cold winter, the swallow's hungry, and dives down to catch a bite to eat. Mirrors are mirrors, they are projectors of reflections, and not always accurate in the areas of space and physics.
Instead of gulping a fly, he hits the iced over water. If you or I dove at the speed a swallow dives from the height it was hovering in, we'd either crack the ice and die of hypothermia, kill ourselves, or at least be dazed. I assume the bird, due to its small weight, felt much pain, was greatly dazed, and stumbled off the icy mirror (river) like a drunk.
The last line of Tirenescu's haiku provides the juxtaposition, "the flies." Nature is unpredictable and can be misunderstood, by animals and as well as humankind, most of whom kid themselves into believing they are not animals but guardians of nature. Tell that to the victims of the nuclear holocaust set off in Japan on March 11, 2011.
Maria Tirenescu's haiku is about an activity, a process that can be learned from. zoka, the creative, unpredictable, non-static, ever-changing, creative power of nature that Matsuo Basho told his disciples was essential for a haiku to succeed, should be observed, meditated upon, and allowed to teach. I appreciate her using a break (pause) --- after "mirror" at the end of line two, the dashes substituting for the Japanese cutting word . . . a style that generates ma (dreaming room).--Robert D. Wilson
***
SELECTED
Izabrani
Maria Tirenescu, Romania (Rumunija)
Rouă
pe acoperişul şopronului –
cântă un piţigoi
dewdrops
on the shelter roof
titmouse song
rosa
na krovu skloništa
peva senica
tr. Saša Važić
Traducerea comentariului o puteţi citi pe www.prezenteromanesti.blogspot.com
joi, 1 decembrie 2011
marți, 29 noiembrie 2011
miercuri, 23 noiembrie 2011
Din revista Sketchbook septembrie/octombrie 2011
Old cemetery—
willow with catkins
on the grave
Cimitirul vechi –
salcie cu mâţişori
pe mormânt
# 190. Maria Tirenescu, RO
Flowers near the grave—
in the grandma’s flock of wool
a moth
Flori lângă mormânt –
în caierul bunicii
o molie
# 192. Maria Tirenescu, RO
old cemetery—
among demolished crosses
violets bloom
Cimitirul vechi –
printre cruci dărâmate
înfloresc toporaşi
# 194. Maria Tirenescu, RO
Violets cluster—
no name on the cross
full of muscle
Pâlc de toporaşi –
nici un nume pe crucea
plină de muşchi
# 196. Maria Tirenescu, RO
Some violets
on the cross from another century—
cemetery in the country
Câţiva toporaşi
pe crucea din alt veac –
cimitir la ţară
# 198. Maria Tirenescu, RO
Cherry petals fall
on the wooden cross—
moon rising
Pe crucea de lemn
cad petale de cireş –
răsărit de lună
# 200. Maria Tirenescu, RO
Titmouse singing
into a blossomed plum—
near the cemetery
Piţigoi cântând
într-un prun înmugurit –
lângă cimitir
# 202. Maria Tirenescu, RO
It was evening—
the neighbor's tomb
lilac flowers
Se lasă seara –
pe mormântul vecinei
flori de liliac
# 204. Maria Tirenescu, RO
Dawn in the cemetery—
the jasmine’s flowers
shaking
Zori în cimitir –
se scutură florile
de iasomie
# 206. Maria Tirenescu, RO
Cloudless night—
the neighbor's tomb
a chrysanthemum
Seară fără nori –
pe mormântul vecinei
o crizantemă
# 210. Maria Tirenescu, RO
Cloudless sky—
chicory possesses
old cemetery
Cer fără nori –
cicoarea stăpâneşte
vechiul cimitir
# 214. Maria Tirenescu, RO.
http://poetrywriting.org/Sketchbook6-4JulAug2011/0_Contents_Sketchbook_6-5_SepOct_2011_Results_cemetery_Haiku_Thread.htm
willow with catkins
on the grave
Cimitirul vechi –
salcie cu mâţişori
pe mormânt
# 190. Maria Tirenescu, RO
Flowers near the grave—
in the grandma’s flock of wool
a moth
Flori lângă mormânt –
în caierul bunicii
o molie
# 192. Maria Tirenescu, RO
old cemetery—
among demolished crosses
violets bloom
Cimitirul vechi –
printre cruci dărâmate
înfloresc toporaşi
# 194. Maria Tirenescu, RO
Violets cluster—
no name on the cross
full of muscle
Pâlc de toporaşi –
nici un nume pe crucea
plină de muşchi
# 196. Maria Tirenescu, RO
Some violets
on the cross from another century—
cemetery in the country
Câţiva toporaşi
pe crucea din alt veac –
cimitir la ţară
# 198. Maria Tirenescu, RO
Cherry petals fall
on the wooden cross—
moon rising
Pe crucea de lemn
cad petale de cireş –
răsărit de lună
# 200. Maria Tirenescu, RO
Titmouse singing
into a blossomed plum—
near the cemetery
Piţigoi cântând
într-un prun înmugurit –
lângă cimitir
# 202. Maria Tirenescu, RO
It was evening—
the neighbor's tomb
lilac flowers
Se lasă seara –
pe mormântul vecinei
flori de liliac
# 204. Maria Tirenescu, RO
Dawn in the cemetery—
the jasmine’s flowers
shaking
Zori în cimitir –
se scutură florile
de iasomie
# 206. Maria Tirenescu, RO
Cloudless night—
the neighbor's tomb
a chrysanthemum
Seară fără nori –
pe mormântul vecinei
o crizantemă
# 210. Maria Tirenescu, RO
Cloudless sky—
chicory possesses
old cemetery
Cer fără nori –
cicoarea stăpâneşte
vechiul cimitir
# 214. Maria Tirenescu, RO.
http://poetrywriting.org/Sketchbook6-4JulAug2011/0_Contents_Sketchbook_6-5_SepOct_2011_Results_cemetery_Haiku_Thread.htm
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